![]() ![]() The neck is in fine order with no splits, cracks or other issues. It also shows off a fantastic rope style binding around its top, making this a very attractive ukulele. The Kumalae features immaculate detail around the soundhole and fretboard, along with the beautiful Hawaiian insignia on the headstock. This wonderful specimen is virtually unplayed and in original condition. Nevertheless, the instruments that were produced during Kumalae's tenure continue to be revered for their craftsmanship and historical significance. The company ceased production in the 1930s, marking the end of an era for the brand. Unfortunately, Kumalae Ukuleles could not withstand these challenges. Additionally, the Great Depression in the 1930s had a severe impact on the music industry, leading to financial difficulties for many instrument manufacturers. In the 1920s, the demand for ukuleles declined due to changing musical tastes and the rise of other popular instruments. However, Kumalae's success was interrupted by historical events. The instruments were highly sought after by musicians and collectors alike. This choice of wood contributed to the distinct sound and visual appeal of Kumalae instruments.ĭuring the early 20th century, Kumalae Ukuleles enjoyed significant success, and the brand became synonymous with quality in the ukulele world. Kumalae primarily used Hawaiian Koa wood, known for its beautiful grain patterns and tonal qualities, to construct his ukuleles. He became renowned for his meticulous attention to detail and the use of premium materials in his instruments. Kumalae's ukuleles quickly gained popularity due to their superior craftsmanship and excellent sound. Jonah Kumalae started his own ukulele manufacturing business in the late 1800s. He came from a family with a background in instrument making, and he learned the art of building stringed instruments from his father, also a luthier. What I make is a light and lively little soprano with lots of spark.Jonah Kumalae was born in 1874 in Honolulu, Hawaii. I thought that the old Martins and Gibsons were mighty fine sounding sopranos so my design borrows the best design elements from these two. ![]() It turns out that it is a popular little instrument here. SOPRANO - In Hawaii nobody (except children) play soprano ukuleles so I ignored this fine little instrument until after I was back on the mainland for a number of years. If you like that good soprano sound but want to play a little larger instrument then this choice could be the ukulele for you. I wanted a concert that was more soprano like with a strong attack and little sustain. It also has more attack than a tenor.ĬONCERT 10 - This is my most recent addition I designed in 2010 (hence concert 10). It has great note separation and brighter high notes than a tenor is capable of producing. I strove for it to have big tenor–like characteristics in a smaller instrument. Good for solo work and also for strumming.ĬONCERT - This is the 2nd instrument I designed in Hawaii after the Tenor. Light attack but lots of sustain and note clarity, strong in the mid-range. TENOR - I designed this uke while living in Hawaii to produce the sound that the local musicians liked. BARITONE- This design is produces a big rich full baritone sound with lots of sustain and little attack coupled with ample volume. ![]()
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